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Amplifikation Clarent is inspired by Orange amps and thanks to the 3rd Generation Tube Simulation engine, it guarantees guitarists a more dynamic, natural sounding and realistic amp recording experience.

There are no other guitar amps besides Orange Amplifiers whose looks and presentability are as unique as their sound.

Based on the third generation of our patented circuit matching technology, enjoy the epitome of British gravity: Amplifikation Clarent.

Finally, Aether also offers the traditional Mono-to-Stereo mode to reduce CPU usage when needed.

It is used daily in the worlds largest music, film, television, and game productions and is heard daily by millions of listeners around the world.

It remains one of the industys undisputed champions of traditional reverb design.

Through its combination of quality, innovation, and usability it quickly rose to the top of market as the go-to reverb of 2009.

Both 64-bit and 32-bit versions are provided for all formats.

Other Various VST and Audio Units hosts for Windows and OSX platforms should function normally as well and will be added to this list as they are tested and confirmed.

The outstanding sound quality, deep programmability and great price make Aether the reverb plug-in to beat.

The same is true in real world acoustical spaces as well: a buildings acoustical character may vary slightly depending on several factors such as its current occupancy, and even more subtle things such as the current temperature and humidity.

Thus, acoustic space itself is alive in the real world and is constantly shifting, morphing, and evolving to produce a complex array of potential impulse responses.

A sampled impulse response of a real acoustic space, can be quite accurate for that particular moment, but it tells only part of the story.

A lake in the real world is unlikely to spontaneously develop waves the size of those found in the ocean, but it is never quite as still as a picture either.

Aethers approach does not simply sample one static picture in time, but rather captures the complete subtly of the dynamic chaotic processes found in life and it retains all the detail and organic feel of these processes.

When using traditional exponentially decaying reverb designs, producers and engineers often resort to raising the gain of the reverb to achieve this goal.

They soon realize, however, that the rest of mix gets muddy very quickly, and so they reach for their gates to compensate for this problem.

This of course results in its own set of complications, and in the words of the immortal Wesley Snipes, is a bit like trying to ice-skate uphill.

Aether offers two controls, Spread and Sustain, to keep the energy in the reverb tail higher a little longer than normal without muddying the mix and still allowing a natural decay down to negative infinity.

Aether also offers an Attack control to shape the reverb tails attack envelope to allow for slower build-up as is found in larger buildings.

These combine to provide the ultimate control over the time envelope of the Late Reflections.

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For more information on this topic, please download the Aether Manual available in the Links and Downloads section above and read the Understanding Aethers Time Envelope Controls section.

This is fine for mono sources, such as lead vocals that are panned dead center, but it is generally not desirable for stereo sources or for use on send busses where several panned instruments share the same reverb.

The problem with this is that the stereo image of the source is collapsed and lost in the diffusion of the omnidirectional reverb.

In such cases the spatial information and panning of the source is disregarded and all sources are assumed to come from one point within the reverb.

Ultra high-end hardware companies have known this for decades and offer advanced modes including True Stereo and Dual Mono.

Aether offers the same modes in software form, and goes one step further by offering Cross and Width controls that allow the reverb to blend seamlessly from Dual Mono, to effectively a Summed Mono input, to Dual Mono with reversed channels, and anywhere in-between.